November 16, 2018

Best 20 Contra Bass

Sonor D Fiberglass Sub Contra Bass Bar

Sonor D Fiberglass Sub Contra Bass Bar

Sonor D Fiberglass Sub Contra Bass Bar

Sonor D Fiberglass Sub Contra Bass Bar A good substitute for timpani in the classroom instrumentarium. The fiberglass bar is resistant to changes in temperature and humidity, so this is a good choice for humid climates or rooms that are not climate-controlled. Black tuning plate under the bar allows for slight adjustments in tuning. All-wood resonating chamber produces a full, rich sound. Dust with a soft cloth as needed; care for the resonating chamber as you would for fine furniture. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle D (the octave below a traditional Orff bass xylophone). Easy-to-care-for fiberglass bar; pitch D; tuned to A 440, the industry standard.

Sonor C Fiberglass Sub Contra Bass Bar

Sonor C Fiberglass Sub Contra Bass Bar

Sonor C Fiberglass Sub Contra Bass Bar

Sonor C Fiberglass Sub Contra Bass Bar Easy-to-care-for fiberglass bar; pitch C; tuned to A 440, the industry standard. Dust with a soft cloth as needed; care for the resonating chamber as you would for fine furniture. The fiberglass bar is resistant to changes in temperature and humidity, so this is a good choice for humid climates or rooms that are not climate-controlled. Black tuning plate under the bar allows for slight adjustments in tuning. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle C (the octave below a traditional Orff bass xylophone). A good substitute for timpani in the classroom instrumentarium. All-wood resonating chamber produces a full, rich sound.

Bass Bar St 49 Contra Rosewood G

Bass Bar St 49 Contra Rosewood G

Bass Bar St 49 Contra Rosewood G

Bass Bar St 49 Contra Rosewood G A good substitute for timpani in the classroom instrumentarium. Care for this instrument as you would for fine furniture - protect from heat and temperature changes, and clean the bar two to three times per year with a high-quality furniture polish (preferably with a lemon oil base). All-wood resonating chamber produces a full, rich sound. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle G (the octave below a traditional Orff bass xylophone). Rosewood bar; pitch G; tuned to A 440, the industry standard.

Studio 49 D Rosewood Contra Bass Bar

Studio 49 D Rosewood Contra Bass Bar

Studio 49 D Rosewood Contra Bass Bar

Studio 49 D Rosewood Contra Bass Bar A good substitute for timpani in the classroom instrumentarium. All-wood resonating chamber produces a full, rich sound. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle D (the octave below a traditional Orff bass xylophone). Care for this instrument as you would for fine furniture - protect from heat and temperature changes, and clean the bar two to three times per year with a high-quality furniture polish (preferably with a lemon oil base). Rosewood bar; pitch D; tuned to A 440, the industry standard.

Sonor NKS60PG Rosewood Contra Bass Bar Note G

Sonor NKS60PG Rosewood Contra Bass Bar Note G

Sonor NKS60PG Rosewood Contra Bass Bar Note G

Sonor NKS60PG Rosewood Contra Bass Bar Note G Slight adjustments in tuning may be made by means of the adjustable black tuning plate that is under the bar. Price per individual bar. Sonor individual contra bass bar, pitch G; overtone-tuned rosewood bar with wood resonating chamber. The Sonor contra and sub-contra bass bars register in the octave below a bass xylophone, so they are a good substitute for timpani.

Sonor C Rosewood Sub Contra Bass Bar

Sonor C Rosewood Sub Contra Bass Bar

Sonor C Rosewood Sub Contra Bass Bar

Sonor C Rosewood Sub Contra Bass Bar A good substitute for timpani in the classroom instrumentarium. Care for this instrument as you would for fine furniture - protect from heat and temperature changes, and clean the bar two to three times per year with a high-quality furniture polish (preferably with a lemon oil base). Black tuning plate under the bar allows for slight adjustments in tuning. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle C (the octave below a traditional Orff bass xylophone). All-wood resonating chamber produces a full, rich sound. Rosewood bar; pitch C; tuned to A 440, the industry standard.

Sonor D Rosewood Sub Contra Bass Bar

Sonor D Rosewood Sub Contra Bass Bar

Sonor D Rosewood Sub Contra Bass Bar

Sonor D Rosewood Sub Contra Bass Bar Rosewood bar; pitch D; tuned to A 440, the industry standard. Black tuning plate under the bar allows for slight adjustments in tuning. All-wood resonating chamber produces a full, rich sound. A good substitute for timpani in the classroom instrumentarium. Care for this instrument as you would for fine furniture - protect from heat and temperature changes, and clean the bar two to three times per year with a high-quality furniture polish (preferably with a lemon oil base). Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle D (the octave below a traditional Orff bass xylophone).

Sonor B Fiberglass Contra Bass Bar

Sonor B Fiberglass Contra Bass Bar

Sonor B Fiberglass Contra Bass Bar

Sonor B Fiberglass Contra Bass Bar Black tuning plate under the bar allows for slight adjustments in tuning. Easy-to-care-for fiberglass bar; pitch B; tuned to A 440, the industry standard. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle B (the octave below a traditional Orff bass xylophone). The fiberglass bar is resistant to changes in temperature and humidity, so this is a good choice for humid climates or rooms that are not climate-controlled. A good substitute for timpani in the classroom instrumentarium. All-wood resonating chamber produces a full, rich sound. Dust with a soft cloth as needed; care for the resonating chamber as you would for fine furniture.

Studio 49 B Rosewood Contra Bass Bar

Studio 49 B Rosewood Contra Bass Bar

Studio 49 B Rosewood Contra Bass Bar

Studio 49 B Rosewood Contra Bass Bar A good substitute for timpani in the classroom instrumentarium. All-wood resonating chamber produces a full, rich sound. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle B (the octave below a traditional Orff bass xylophone). Care for this instrument as you would for fine furniture - protect from heat and temperature changes, and clean the bar two to three times per year with a high-quality furniture polish (preferably with a lemon oil base). Rosewood bar; pitch B; tuned to A 440, the industry standard.

Sonor G Fiberglass Contra Bass Bar

Sonor G Fiberglass Contra Bass Bar

Sonor G Fiberglass Contra Bass Bar

Sonor G Fiberglass Contra Bass Bar Easy-to-care-for fiberglass bar; pitch G; tuned to A 440, the industry standard. Dust with a soft cloth as needed; care for the resonating chamber as you would for fine furniture. All-wood resonating chamber produces a full, rich sound. Black tuning plate under the bar allows for slight adjustments in tuning. A good substitute for timpani in the classroom instrumentarium. The fiberglass bar is resistant to changes in temperature and humidity, so this is a good choice for humid climates or rooms that are not climate-controlled. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle G (the octave below a traditional Orff bass xylophone).

Sonor E Fiberglass Sub Contra Bass Bar

Sonor E Fiberglass Sub Contra Bass Bar

Sonor E Fiberglass Sub Contra Bass Bar

Sonor E Fiberglass Sub Contra Bass Bar All-wood resonating chamber produces a full, rich sound. Easy-to-care-for fiberglass bar; pitch E; tuned to A 440, the industry standard. The fiberglass bar is resistant to changes in temperature and humidity, so this is a good choice for humid climates or rooms that are not climate-controlled. A good substitute for timpani in the classroom instrumentarium. Black tuning plate under the bar allows for slight adjustments in tuning. Dust with a soft cloth as needed; care for the resonating chamber as you would for fine furniture. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle E (the octave below a traditional Orff bass xylophone).

Studio 49 KBKBXD Contra Rosewood Bass Bar Note D

Studio 49 KBKBXD Contra Rosewood Bass Bar Note D

Studio 49 KBKBXD Contra Rosewood Bass Bar Note D

Studio 49 KBKBXD Contra Rosewood Bass Bar Note D Studio 49 contra bass bars are in the register an octave below the bass xylophone, so they are a good substitute for timpani. Price per individual bar. Studio 49 individual contra bass bar, pitch D; overtone-tuned rosewood bar with wood resonating chamber.

Studio 49 C Rosewood Contra Bass Bar

Studio 49 C Rosewood Contra Bass Bar

Studio 49 C Rosewood Contra Bass Bar

Studio 49 C Rosewood Contra Bass Bar All-wood resonating chamber produces a full, rich sound. A good substitute for timpani in the classroom instrumentarium. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle C (the octave below a traditional Orff bass xylophone). Rosewood bar; pitch C; tuned to A 440, the industry standard. Care for this instrument as you would for fine furniture - protect from heat and temperature changes, and clean the bar two to three times per year with a high-quality furniture polish (preferably with a lemon oil base).

Studio 49 A Rosewood Contra Bass Bar

Studio 49 A Rosewood Contra Bass Bar

Studio 49 A Rosewood Contra Bass Bar

Studio 49 A Rosewood Contra Bass Bar Rosewood bar; pitch A; tuned to A 440, the industry standard. Care for this instrument as you would for fine furniture - protect from heat and temperature changes, and clean the bar two to three times per year with a high-quality furniture polish (preferably with a lemon oil base). A good substitute for timpani in the classroom instrumentarium. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle A (the octave below a traditional Orff bass xylophone). All-wood resonating chamber produces a full, rich sound.

Dean Pace Bass 4 String Electric Upright Bass With Case Classic Black

Dean Pace Bass 4 String Electric Upright Bass With Case Classic Black

Dean Pace Bass 4 String Electric Upright Bass With Case Classic Black

Dean Pace Bass 4 String Electric Upright Bass With Case Classic Black Double-braced tripod stand and black chrome hardware make the Dean Pace Bass easy to manage and very cool looking. Position markers on the side help you keep track of where you are on the neck as you transfer your hard-won chops to the moaning, liberating sound of a fretless upright. Piezo Bridge Pickup System. Solid Maple Construction. The Dean Pace 4-String Electric Upright Bass is well built and well priced. Ultimate solution for acoustic upright Bass. Piezo bridge with buffer preamp lets you plug right into a standard bass amp. Solid maple neck-through construction with slotted headstock, standard 35", scale, and traditional 6", radius rosewood fingerboard. 6-Inch Rosewood Fingerboard. 6", radius rosewood fingerboard. Standard 35", scale.

Set Of 7 Studio 49 Rosewood Contra Bass Bars

Set Of 7 Studio 49 Rosewood Contra Bass Bars

Set Of 7 Studio 49 Rosewood Contra Bass Bars

Set Of 7 Studio 49 Rosewood Contra Bass Bars Studio 49 instruments are top-quality, German-made Orff instruments. Bars are each tuned to A 440, the industry standard. Purchasing this set is a 168 savings over purchasing the same instruments separately!

Studio 49 Kbkbxbb Rosewood Contra Bass Bar Note Bb

Studio 49 Kbkbxbb Rosewood Contra Bass Bar Note Bb

Studio 49 Kbkbxbb Rosewood Contra Bass Bar Note Bb

Studio 49 Kbkbxbb Rosewood Contra Bass Bar Note Bb Price per individual bar. Studio 49 contra bass bars are in the register an octave below the bass xylophone, so they are a good substitute for timpani. Studio 49 individual contra bass bar, pitch Bb; overtone-tuned rosewood bar with wood resonating chamber. 23-3 / 4", long x 10-1 / 4", high x 7-1 / 8", wide.

Sonor G Rosewood Contra Bass Bar

Sonor G Rosewood Contra Bass Bar

Sonor G Rosewood Contra Bass Bar

Sonor G Rosewood Contra Bass Bar Black tuning plate under the bar allows for slight adjustments in tuning. Rosewood bar; pitch G; tuned to A 440, the industry standard. A good substitute for timpani in the classroom instrumentarium. Care for this instrument as you would for fine furniture - protect from heat and temperature changes, and clean the bar two to three times per year with a high-quality furniture polish (preferably with a lemon oil base). Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle G (the octave below a traditional Orff bass xylophone). All-wood resonating chamber produces a full, rich sound.

Sonor F Fiberglass Contra Bass Bar

Sonor F Fiberglass Contra Bass Bar

Sonor F Fiberglass Contra Bass Bar

Sonor F Fiberglass Contra Bass Bar Easy-to-care-for fiberglass bar; pitch F; tuned to A 440, the industry standard. A good substitute for timpani in the classroom instrumentarium. Black tuning plate under the bar allows for slight adjustments in tuning. All-wood resonating chamber produces a full, rich sound. Dust with a soft cloth as needed; care for the resonating chamber as you would for fine furniture. The fiberglass bar is resistant to changes in temperature and humidity, so this is a good choice for humid climates or rooms that are not climate-controlled. Traditional Orff-Schulwerk style individual bar; this bar sounds two octaves below middle F (the octave below a traditional Orff bass xylophone).

Sonor Contra Bass Bar F Note

Sonor Contra Bass Bar F Note

Sonor Contra Bass Bar F Note

Sonor Contra Bass Bar F Note Contra bass bar Resonator box made from birch FSC certified eco-friendly. Its FSC certified eco-friendly resonator box is made of birch, and features a tuning adjustor for fine tuning to room acoustics. The Sonor Pao Rosa Bass Bar with staff imprint and overtone tuning provides a very resonant, low, contra-bass sound that adds an exciting dimension to your instrument grouping.

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